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I’m not a musician. I’m a writer. But I love music.
I’m a huge fan of classic Asian instruments and music.
I’ve also enjoyed and supported the music of tons of Asian American musicians over the past decade, and one thing I’ve noticed is that Asian American music doesn’t exist.
Don’t get me wrong. A lot of the Asian American musicians I’ve supported are very talented and good at what they do, and there is nothing wrong with Asians loving hip hop, jazz, rock, etc. But aside from putting an Asian face and name on the music and the occasional reference to rice cookers in their lyrics or use of Asian language in their singing, there’s nothing really Asian American about the music itself. Just close your eyes and listen and you’ll find that there’s nothing in what you hear that screams Asian American.
I’ve always sought out fusion music. Even when I was romping around Asia immersed in their pop music culture, I was especially drawn to any song that used traditional Asian instruments in them. Sadly, those types of music were always the exception and not the rule.
In the mainstream, the only Asian American that I’ve heard actually integrating some Asian styles into music is Mike Shinoda. Again, though, it’s only an occasionally added flavor instead of the core of the music. The only place that I can get Asian fusion of some sort on a regular basis is from the world music genre, but much of it is just slightly altered traditional music. Sometimes they just add a dance beat to it and call it fusion.
Given this particular taste for Asian fusion music that I have, my reaction to hearing the songs from the band Random Ninjas was:
“I’ve been waiting to hear this music all my life.”
What I love about their music is that it shoves Asian American down your throat.
I’ve often been ridiculed by non-Asians for listening to the twingy twangy traditional Asian music that I developed a taste for as a little girl who learned cultural dances and watched kung fu movies, but that’s expected, right? In my experience, caucasian men were especially rude and cruel in their jeers.
What’s surprising is I’ve also been criticized by Asian Americans for it.
“Don’t you think you’re promoting a stereotype of us?” one Asian American peer had said to me after I performed a sword dance to some classic Chinese music in college. As you can imagine, I felt really upset that I wasn’t allowed to love and be a avid fan of my own cultural heritage.
My current favorite Random Ninjas song right now happens to be “Go” on their newly released E.P. It starts out with some unassuming, minimalistic shamisen which picks up a little momentum and then surprisingly bursts out into full on heavy in-your-face metal. I just imagine all those people who make fun of traditional Asian music being taken off guard by the sudden attack of Asian American rock guitars, and it makes me smile with a vengence. This music gives me hope for the evolution of Asian American music.
Currently the band just finished shooting a new music video that should be out within the next month. They’ve got a show coming up at the legendary Whisky A Go Go on Sunset.
Lots of band bios claim that they have a “fresh” new sound. This band actually delivers.

If you know of any other fusion music, send it my way. I’m always looking for new music.
Random Ninjas: A new sound. A new genre.
Not to be mistaken for something that’s already out there.
The Random Ninjas’ music is so different from what I any music I remember listening to before it does seems like it should be it’s own genre.
The great thing about America is it’s a place cultures can fuse and show their individuality. I think RN shows that
I can still remember the very moment I discovered Random Ninjas… I was looking at the bands that would be performing at Pacific Media Expo 2005 and the name caught my attention, and then after looking at the band’s website ( and laughing at their true-to-their-name random profiles ) and after reading that they had a taiko drummer, I knew me and my friends HAD to go see how this band sounded. And we were not disappointed, RN totally blew us away, and this is when they did mostly covers!! So yes, me and my friends have been RN addicts ever since, painfully biding our time in between times we can get out to California to see a show ( we live in Arizona~ ).
RN’s music gives me chills, it’s really so unique and powerful, and I have no doubt they will conquer the world with their music.
These guys were the real deal too: http://www.myspace.com/superchinkmusic. Unfortunately they’ve disbanded but carried the torch of representation, awareness and activism when no one else was.
Superchink sounds awesome. I like the energy, I like the lyrical activism. Kudos to them for fighting an uphill battle for so long. Here’s my criticism though, aside from lyrical content, what’s Asian about their music? I’m not saying we should all go around looking and sounding like we just stepped out of The Forbidden Kingdom, but we need something unique in our artistic contributions to backup our lyrical activism or the world just sees us as posers. The Asians can copy Western music and be cool in the eyes of the world (e.g. J-rock, which I’m a big fan of by the way) because their identity is set. They’re Asians. As Asian Americans, we’re foreigners in America and counterfeit Asians in Asia. We’re supposed to be the fusion of two but most of the time we just come off as Western posers to the world, and the Asians view us as Eastern posers. No one takes a poser seriously.